Voice over
A spoken performance for an ad, film, course or other content. It can be recorded by an artist or generated, as agreed in the brief.
A single translation. A whole course. A film in more languages. We’ll help you choose the right mix.

The meaning needs to travel, not get lost. We translate for the people reading, listening or performing, with human review against your source.
The words may be right and still not feel at home. We adapt the language, references and tone for the people you want to reach.
Turn a recording into words you can use. We check the text against the audio, agree how much detail to keep and flag what can’t be heard clearly.
Keep the viewer in the story. We bring language, timing and line breaks together, with the picture as the reference.
An artist brings your script to life. We help you find the voice, shape the delivery and record a performance that fits your story.
The same scene, in another language. We adapt the dialogue, cast the voices and direct the performance to fit the picture and timing.
Speech generated from text using an authorised voice, rather than a new artist recording. We direct pronunciation, pace and expression, then listen through and edit the result for your project.
Good source recordings start with people. We bring together the artist, scripts, studio and direction around your recording specification and agreed permissions.
A spoken performance for an ad, film, course or other content. It can be recorded by an artist or generated, as agreed in the brief.
New dialogue fitted to existing picture and timing, often in another language. The words, delivery and sync all need direction.
Speech generated from text with an authorised voice. It can be used for voice over or dubbing when the brief and permissions allow.
Voice over and dubbing describe the job. Synthetic audio describes how the voice is made. We agree the approach, voice permissions and intended use, then review the result.
Clear narration and consistent language help a course remain understandable from the first module to the last. We coordinate voice and text production for learning content, with terminology, pronunciation and version control established before recording.
An assignment may cover a single lesson or a series of modules. We agree how scripts are divided, how audio relates to the learning material and which languages or captions are required. Human or synthetic narration is selected according to the brief and the permitted voice usage.
Provide the scripts, lesson structure, target audience and terminology references. Identify abbreviations, technical terms and names that need a pronunciation decision. We also discuss the likely update cycle, so file naming and module boundaries support future revisions.
Brief preparation guide Plan your language requirementsTranslation and localisation can prepare language versions before narration. Direction keeps tone and pacing appropriate to the audience, while review checks the spoken script and any accompanying timed text. The agreed scope can combine these services without requiring separate briefs for each stage.
Translation Natural synthetic audio Subtitles & captionsAgree the output format, module identifiers, file splits and approval sequence. Later changes should refer to the script and audio version being revised. Learning-platform upload, course authoring and technical deployment are separate from voice and language production and need their own scope.
Delivery checklist Our quality checksA brand film, product explanation or business presentation needs a voice that suits its audience and purpose. We coordinate script adaptation, voice direction and language versions around the message you want to communicate.
Performance choices begin with context: who will hear the content, where it will appear and what the listener should understand. We use your brand guidance and references to establish a direction, then review the text and audio against the approved brief.
Share the script, picture where available, audience, duration and examples of the intended delivery. Explain which references describe tone and which describe timing. We clarify voice requirements and usage before casting or selecting an authorised synthetic voice.
Voice over & dubbing Voice dictionaryA translated line may need a different structure to preserve meaning and fit the available time. We discuss these choices before recording. Localisation can address references, expressions and register while retaining the purpose of the original communication.
Localisation Plan your language requirementsIdentify the main film, shorter versions, language variants and subtitle files you need. Agree which script or sample is approved before full production, and who consolidates feedback. New edits, additional usage and changed scripts are reviewed as scope changes.
Brief preparation guide Our quality checksDubskool specialises in the human recording and directed production work behind AI audio. We help define whether your project needs artist-recorded material, synthetic content using an authorised voice, or separate stages of both.
These are distinct production briefs. A recording project is organised around performances and source-audio specifications. Synthetic content production is organised around an approved script, permitted voice usage and review of the generated speech. One does not automatically include the other.
Plan casting, script coverage, session direction and technical checks around the recording specification. Clarify the purpose of the material and the permitted use with the artist before recording. File structure, segmentation and accompanying text are agreed deliverables.
Recording for AI Pre-session checklistStart with the script, audience, language and intended use. Voice selection, pronunciation, pacing and expression are directed through production, followed by a human listening review. Generation is one step in the process; editing and correction determine whether the result fits the brief.
Synthetic audio Compare production effortSpecify training, cloning, content production and publication uses separately where they apply. Agree how the output will be assessed and which technical or performance issues require correction. Model development, hosting and provider access are separate technical responsibilities unless specifically included.
Our quality checks Discuss your projectEach service has a defined brief, specialist direction and human review. We discuss language requirements, source material, usage, file formats and deadlines before agreeing the work. You can commission a single service or combine translation, recording and subtitles within one project.
Human recording captures an artist’s performance; synthetic production creates audio using an authorised voice. Translation and localisation can prepare the script for either approach. We will help identify a suitable workflow once we understand the content and how it will be used.
Scope depends on the amount of content, languages, voice requirements, usage, technical specifications and review stages. Our calculator is a planning tool with editable assumptions. A project estimate follows a review of your actual brief.
A script, a recording or a rough idea. Start with what you have.
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