Voice over
A spoken performance for an ad, film, course or other content. It can be recorded by an artist or generated, as agreed in the brief.
Speech generated from text using an authorised voice, rather than a new artist recording. We direct pronunciation, pace and expression, then listen through and edit the result for your project.

A spoken performance for an ad, film, course or other content. It can be recorded by an artist or generated, as agreed in the brief.
New dialogue fitted to existing picture and timing, often in another language. The words, delivery and sync all need direction.
Speech generated from text with an authorised voice. It can be used for voice over or dubbing when the brief and permissions allow.
Voice over and dubbing describe the job. Synthetic audio describes how the voice is made. We agree the approach, voice permissions and intended use, then review the result.
An approved script, authorised voice, pronunciation notes, languages and intended use.
Directed synthetic speech, listening review and the agreed edited audio files.
An AI-generated demonstration made for this site, not client work.
Hello, I can help you find the right next step. Are you checking an order, changing a booking, or looking for product information? Tell me a little about it. If you need a person, I can explain how to reach the team.
Synthetic audio is a production process, not simply a generated file. We prepare the script, establish a suitable authorised voice, direct the output and edit it for the intended format. It can be considered for narration, learning content and repeatable audio where the voice and usage requirements allow.
Names, numbers, abbreviations and language changes can affect how a script is spoken. We review these alongside pauses, emphasis and sentence rhythm, correcting sections that sound unnatural or change the intended meaning. Timing requirements and reference performances guide the final edit.
Agree the script version, language versions, audio format, file splits and any timing requirements before production. We deliver the reviewed audio in that agreed structure. Later script changes, additional versions and new usage are discussed as changes to the scope.
The voice must be authorised for the intended project. We discuss available voice options and their usage conditions before production; a public sample or an artist’s application is not permission to reproduce their voice. Bespoke voice creation, when required, is a separate scope.
Use a short test to confirm pronunciation, pacing and voice suitability. Review the agreed script before generating the full output.
Tell us the languages, source material and deadline. We’ll work out the details together.
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